LISA KAY
GENUINE BRITISH ACCENT
PROFESSIONAL ACTRESS & VOICE ARTIST FOR 15+ YEARS
THE BISTOL OLD VIC THEATRE SCHOOL
VOICE ANIMATION CREDITS: CHICKEN RUN & CORPSE BRIDE
Isn’t it nice when a country Bed and Breakfast greets you with smooth white sheets for your first night away?
Their crisp sunshine freshness sets a tone of relaxation and seclusion. A private note of luxury meant just for you.
Doesn’t the afternoon restaurant look a little more welcoming when a white table cloth meets you on arrival?
Any meal could arrive – I wouldn’t really care – and any meal would be heartily eaten placed upon that smooth surface.
And just like white linen, Lisa Kay’s voice is a clean, crisp palate of endless vocal opportunities.
It billows with perfect diction and a restrained turn of inflection that tells you, you are in the hands of a professional.
Lisa is country hospitality. Smooth corporate operations. Angelic calmness. Playful silliness. High end drama.
Writers, producers, audio boffins should not limit her just to “UK” reads, because she is adept in documentary, narration, character and gaming voice performances.
If you are a student of voice and audio excellence, you’ll know that what Lisa has, is what those projects – and your next one, deserve.
A Professional British actress of 15+ years, Lisa has appeared in a wide range of roles on stage and in film and television. She was a lead cast member of ITV’s HEARTBEAT (2004 – 2009) and appeared in the 2001 movie, BRIDGET JONES’S DIARY. You can check out Lisa’s IMDB profile here which also includes the animation features CHICKEN RUN & CORPSE BRIDE. Her unique British accent and ability to also do neutral is a refreshing sound to the Brisbane and Sydney market.
Testimonials
Just wanted to drop you a note to say how fabulous Peter was to work with! He was brilliant! Good to know he’s available to do both Australian and NZ voices, we’ll definitely keep him in mind for future jobs.
Working with Scout Voice Management was so easy and professional. We knew we wanted to use Aaron Cartwright – his voice is like rich melted chocolate and he is so amiable and amenable. From the initial inquiry to the actual recording was only a few days. We got exactly what we wanted and have the showreel for our website that we’d hoped for. Thanks to all involved.
What a breeze to work with someone as professional and experienced as Robert Lee — fast and fun, too! He comes prepared so time is spent efficiently, to get just what you need. A pleasure.
We are pleased with the result and I really enjoyed being patched in to the studio for the recording. Nathan Page’s voice is the perfect tone and has the gravitas we needed for the intended audience and Matt from Sonic Playground, was so helpful and thorough throughout the recording, and in all our requests for follow-up editing. They are both very talented and it was a pleasure working with them and getting an understanding of their craft.
Marc James Dwyer’s voice is relatable and authentic and he’s got the craft to control it beautifully.
He’s a dead set legend to record with, interprets scripts and takes direction well, and is always dedicated to fulfilling the trickiest of client briefs with absolute class and confidence.
Felicity, I can’t speak highly enough of not only your incredible skill and nuanced performance, but also of the weight and resonance you brought into the reading yesterday. Your narration provided a gravitas and beauty that I was thankful for in every scene, let alone your vibrant warmth that brought enthusiasm to every individual in the room.
What a gift you have, to welcome people in to storied experiences through your voice, empathy, delivery and choice of nuance – it was such a great pleasure just to witness you in action, and I’m so thankful for the impact you’ve now had on this project in this role. As you read yesterday, I thought to myself ‘why can’t Felicity create every audiobook I’d ever want to read?? This is the voice we all need!’. I hope we’re able to work together many a time over, and it was such a pleasure to meet you.
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